Posted on June 22nd, 2016 by admin

From anthology master Ryan Murphy, American Crime Story examines the dark underbelly of America’s passions and prejudices. Beginning with The People V. O.J. Simpson, which made the nation reevaluate the O.J. Simpson murder trial, stars Sarah Paulson, Cuba Gooding Jr. and Courtney B. Vance, and producers Nina Jacobson and Brad Simpson, explain why crime isn’t the exclusive preserve of criminals.

Sarah Paulson is Marcia Clark

One day on set, Sarah Paulson checked her email more than she usually did. She was sitting on location in Los Angeles, not far from where Nicole Brown Simpson and Ron Goldman had been murdered, and she’d mentioned that fact in the message to which she was waiting on a response. People in the crew asked her—all day—whether she’d heard back yet. “It was like I’d written to someone I had a crush on,” Paulson says, “wanting to know if they’d go on a date with me.”

But she did have a crush, of a sort. When Ryan Murphy approached her about The People v. O.J. Simpson, she had consumed every book on the trial she could find. “I read Toobin’s book, I read Darden’s book and I read Marcia’s book, grabbing information wherever I could.” The Marcia Clark she found within the pages of the former prosecutor’s account of the trial had not been the dowdy incompetent the news media had painted. “I came to have so much respect and admiration for her,” Paulson says now. “But I feared if I met her, I would all of a sudden feel like I had to tell every part of this story from the actual Marcia Clark’s point of view, which might have got in the way of telling the story as it was written.”

So she delayed sending an email to Clark until she was well into shooting. By that point, there were only three episodes left, and she’d just wrapped the hardest task she faced on the show: the episode “Marcia, Marcia, Marcia”, which was all about Clark’s own trials as she prosecuted this case. She offered dinner, lunch, a drink, a coffee; anything that would have resulted in a scrap of Clark’s time.

Marcia Clark opted for dinner. “And it was a surreal, out-of-body experience.” When she walked into the restaurant, Paulson’s immersion in all things Marcia meant she recognized her instantly from her gait and the way she used her hands. Clark had wanted to be a dancer and had done a lot of training in her youth that had informed her posture. “I did all those physical things in the show, and I don’t think anyone noticed them,” Paulson laughs. “We had a wonderful evening together, drank plenty of tequila, and closed the restaurant down.”

They talked about life, they talked about art, they talked about the O.J. trial; and Paulson noted the emotion in Clark’s voice when they settled on the latter. Professionally, O.J. Simpson’s acquittal had been a blow to Marcia Clark. But personally, the work that had gone into building the prosecution’s case, and the way the world scrutinized its execution on live television, had been devastating. “If I loved her before, I loved her even more after this dinner,” says Paulson. “The thing that mattered most of all to me was that there was integrity and honesty in the performance, because she had so much integrity, and her own moral compass was of paramount importance to her.”

When it started airing in February, The People v. O.J. Simpson became as much of a watercooler topic as the trial it was depicting. Through the meticulous research of the writing staff, which extended well beyond the pages of Toobin’s book, the show felt like it was breaking news every week: sending facts into the world that the media of the time didn’t know—or didn’t care—to report. “There was only so much a camera in a courtroom was going to pick up on,” notes Courtney B. Vance, who plays defense lawyer Johnnie Cochran. “We weren’t following them home. We weren’t with Darden and Marcia, or Johnnie, or any of the other participants. We wouldn’t have known the drama. Via the news media, it looked like these dream teams were at each other’s throats, but we didn’t know any details.”

“[The trial] was the first celebrated reality show extravaganza of its era,” notes Gooding. “Out of that trial were born a number of facets of celebrity that are still dissected today, from the Kardashians to Judge Judy and all of these shows.”

“It’s funny, because people have said to me that, if the trial were to happen today it would be very different for Marcia,” Paulson notes. “I completely disagree.”

It’s funny,” adds Paulson, “because people have said to me that, if the trial were to happen today it would be very different for Marcia. She would have had more support. I completely disagree. There are so many platforms, now, from which to stand and bash people. Can you imagine the blare of it now with Twitter and Facebook and Instagram? The cacophony of sound?”

Still, the glare of the trial at the time, and the way people remember it, presented a unique challenge for the cast, who had to battle the preconceptions of a world that had dined out on Simpson’s legal troubles for almost a year. For Gooding, this meant tapping into O.J. Simpson’s emotional core, and discarding the rest. But he was surprised with the voracity of the enquiries he’s had about his own take on what went down on Bundy Drive that one fateful night. “It’s the first time I’ve played a character where people want to ask what my position is on his guilt or innocence more than they do my performance,” he laughs. “But it’s my job to give the director the tools he needs to manipulate the performance in the editing room, and that puts me in an almost schizophrenic frame of mind where I can go from guilty to innocent in any moment. The hardest part was playing this split personality. It was almost like playing twins.”

It wasn’t until Paulson did her deep dive into Marcia that she even knew it would be possible to play the part. “Everybody enjoyed the pastime of making fun of her, belittling her and joking about her appearance. Myself included, by the way. How was I going to be able to offer up anything new? I was scared—which typically is a sign that I have to do something. I had no idea the scripts would be so enlightening, and show a whole entire side of her that no one even thought about at the time.”

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Welcome to Sarah Paulson Online your best online source on the actress Sarah PaulsonSarah is best known for her roles in the hit show American Horror Story or other roles such as SerenityMudCarol and the upcoming movie Ocean’s 8. We hope you enjoy your stay at Sarah Paulson Online!

Current Projects
American Horror Story (2011-)
as Ally Mayfair-Richards
An anthology series that centers on different characters and locations, including a house with a murderous past, an insane asylum, a witch coven, a freak show, and an enigmatic hotel.

Rebel in the Rye (2017)
as Shelby
The life of celebrated but reclusive author, J.D. Salinger, who gained worldwide fame with the publication of his novel, The Catcher in the Rye.

Feud (TV Series) (2017)
as Geraldine Page
Based on the legendary rivalry between Bette Davis and Joan Crawford which began early on their careers,climated on the set of "Whatever Happened to Baby Jane?" and evolved into an Oscar vendetta.

American Crime Story (2015-2018)
as Marcia Clark / Dr. Anna Pou
An anthology series centered around America's most notorious crimes and criminals.

Ocean's Eight (2018)
as Tammy
Debbie Ocean gathers a crew to attempt an impossible heist at New York City's yearly Met Gala.

Lost Girls (201?)
as Unknown
A mother searching for her missing daughter in Long Island makes a horrifying discovery in the woods where the murdered bodies of four girls have been dumped.

Bird Box (201?)
as Unknown
A woman and a pair of children are blindfolded and make their way through a post-apocalyptic setting along a river.

Ratched (2018)
as Nurse Ratched
A young nurse at mental institution becomes jaded, bitter and a downright monster to her patients.

Glass (2019)
as Unknown
The imprisoned Elijah Price holds secrets critical to both David Dunn and Kevin Crumb.

The Goldfinch (2019)
as Xandra
A boy in New York is taken in by a wealthy Upper East Side family after his mother is killed in a bombing at the Metropolitan Museum of Art.

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